
Julie Martini is a visual artist working in drawing, painting, sculpture and installation. Her work explores the interplay of materials: the automatic and the handmade.
Using paper marbling techniques dating back to the 12th century, Julie produces paintings on paper. Each painting begins with drops of acrylic paint on a liquid bath. The paint is induced to spread, move, and fragment by successive layers of paint and surfactants. The “floating painting” is then transferred to paper, and the final pieces are shaped with layers of pigment blown through a mouth atomizer and paint applied by hand. The paintings resemble celestial forms and cellular growth, composed of particles and fractal patterns, that split, move and regenerate.
Julie’s sculptures combine hand-built clay forms with digital modeling/fabrication. They are versions of the human body, imagined through the analogues of AI and human consciousness.
Her work includes references to NASA images, microscope photography, and humanist writing.
Her studio is in Jamaica Plain, MA.
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Portals offers imaginary views of the universe created with water, pigment and breath. Each piece began with the creation of a floating painting on water that was transferred to paper.
Planetform I, acrylic and gouache on paper, 30 in. x 42 in., 2017.
Planetform II, acrylic and gouache on paper, 30 in. x 42 in., 2017.
Planetform III, acrylic and gouache on paper, 30 in. x 42 in., 2017.
Planetform IV, acrylic and gouache on paper, 30 in. x 42 in., 2017.
Multiform, acrylic and gouache on paper, 30 in. x 42 in., 2017.
Untitled, acrylic and gouache on paper, 30 in. x 42 in., 2017.
The Cosmos uses paper marbling techniques dating back to the 13th century to evoke celestial forms.
Building With Light is an installation made in collaboration with more that 200 young artists from after school programs around Boston. It was exhibited at the Museum of Fine Arts, Boston from May 2017-November 2017.
Efflux, acrylic and gouache on paper, 30 in. x 42 in., 2016.
Efflux II, acrylic and gouache on paper, 30 in. x 42 in., 2016.
Half Moon Framed, acrylic and gouache on paper, 30 in. x 42 in., 2016.
Microview, acrylic and gouache on paper, 30 in. x 42 in., 2016.
Untitled, materials go here, XX in. x XX in., 2016.
Constellation consists of hundreds of paper tiles arranged in a spiral, inspired by complex patterns in nature and tiled mosque domes in the Islamic world.
Constellation consists of hundreds of paper tiles arranged in a spiral, inspired by complex patterns in nature and tiled mosque domes in the Islamic world.
Everything Out of Nothing consists of hundreds of Petri dishes arranged in an exploding circle, inspired by the dramatic rose window at the Cathedral of the Holy Cross in Boston.
Natural Selection 1-6, acrylic and collage on paper, 16 in. x 11.75 in., 2009.
Natural Selection 13-18, acrylic and collage on paper, 16 in. x 11.75 in., 2009.
Natural Selection 19-24, acrylic and collage on paper, 16 in. x 11.75 in., 2009.
Natural Selection 25-30, acrylic and collage on paper, 16 in. x 11.75 in., 2009.